Pilot Vanishing Point - Architect Nib Grind by The Nibsmith

If you're new to fountain pens, especially if you've just purchased your first "expensive" fountain pen (a certainly relative term), the idea of sending this perfectly new pen off to someone to "adjust" may seem a bit foreign.  Totally understandable and in many ways I'm still right there with you.

The unfortunate fact is that you may purchase a nice pen and ultimately find that it doesn't quite feel perfect.  The nib may be slightly scratchy or seem misaligned, or the flow of the ink may be too little.  A good way to make a new purchase sour a bit.  Ah, the world of fountain pens we've so blindly jumped into...

Sometimes though, it isn't that the pen writes badly but that you want a specific type of grind like a stub, italic, or maybe you want a medium tuned down to more of a fine line.  All of these are appropriate times to get your pen "worked on" by someone.

This was the case with my Pilot Vanishing Point medium nib.  I love the pen and how it writes, but after seeing a nib grind called the Architect (also known as a Hebrew or Arabic), I knew I needed it in my VP.  

Why an architect grind?  Well, I write in all caps most of the time in my print and people say I have a very draughtsman (or draftsman) style writing and I knew that this type of grind would enhance it.

If you are familiar with a stub or italic nib, while writing your lines change depending on your stroke.  With vertical strokes your lines will be wide while with horizontal strokes your lines will be narrow.  With the architect grind it is the opposite which makes for some really interesting character variation.

I sent my Vanishing Point to Dan Smith of The Nibsmith.  This type of grind is generally one of the more pricey at $55, but it takes grinding multiple angles into a nib to achieve.  

I definitely want to be clear that I don't think every pen that you buy needs to get a specialty grind done on it.  The price can add up quickly and is usually always a non-reversible action.  My first "real" fountain pen awhile back was the LAMY Vista which comes in at around $35, so seeing a $55 tag on nib work may be a bit of a shock, but a lot of consideration needs to go into getting things done to your pen and whether the value is there overall for you.

Samples written on Clairefontaine Triomphe

Dan did a great job on my architect grind and it is one of my absolute favorite pens to write with now.  The nib still has some feedback after the grind, but just enough for what I enjoy in feeling when the nib hits the page.  I find that I always have this pen inked.

I did some comparison shots of my architect VP inked with Diamine Oxblood verses my Franklin Christoph Model 02 filled with Edelstein Topaz that has a medium italic stub by Mike Masuyama.

As mentioned, this particular architect started out as a Pilot medium, but still provides ample variation.  If you started with a larger nib like a broad, there is a strong chance your variation would be even more pronounced.

Dan has a website at nibsmith.com if you wanted to check out his info.


Staedtler Mars Lumograph 2B Pencil (iPhone Review)

When I feel like I really want to get into something more and then I don't, I get pretty annoyed with myself.  Pencils are one of those things that I enjoy the idea of, LOVE using when I do, but I haven't found a way to inject an "all pencil" approach into my writing habits as of yet for a short term experience.  That doesn't stop me from buying them as I WANT to use them, but just don't as often as I want to.  

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Have you ever done this with anything writing/stationary related?  I think I need to set a goal: use only pencils (unless otherwise necessary) for a month.... maybe a new pencil or two per week.  I probably have 50 different pencils to work with in my "collection", so I have the resources to make it happen.

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 At the desk of my job-job I've had a Staedtler Mars Lumograph 2B pencil laying around for awhile and finally decided I would use it for the last week or so with my client notes.

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For pencil reviews, and I've said this before, I am a total novice.  What properties are the best?  What am I looking for?  I suppose it will just take using a lot of pencils to be able to compare what works, what feels good, what looks good...

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The Mars Lumograph isn't necessarily a sexy looking pencil (which sounds weird to say out loud...) like the Tombow Mono 100, but it still stands out and is well made and finished.  These run about $1.50 I think from my local art store, so not super cheap like a dozen generic storebrand pencils, but you seem to pay for a higher quality.  

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You can also pick these up in a variety of lead hardness variations for around $1.40 from Jetpens

As the ML is considered a drawing/drafting pencil, it has better tolerances it seems than most run of the mill pencils.  The cores are centered and they sharpen cleanly.

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The paint/lacquer on the ML is nicely done and doesn't look choppy or thin in parts.  The glossy blue, white, and black combination is subtle but attractive and stands out in a nice, conservative way.  Since these are an item you can buy in singles, Staedtler does put an imprinted barcode on the side for scanning which distracts a bit from the overall aesthetic, but, meh.

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For some reason I enjoy pencils without an eraser more from a design standpoint.  Clean.

I've been using the pencil this week on my new Nock DotDash Spiral Pad and the 2B lead grade is definitely dark enough for my needs.  For a page of writing notes (not full pages as my notes with clients are often diagrams, etc), the pencil held a point pretty well and I didn't notice that I was sharpening too often.   

I like the way this pencil looks and writes, but I'm excited to dive into others.