Dream Pen: Ebonite Japanese True Urushi Blue Fountain Pen by Wancher

Urushi pens seem to have a bit of prestige and prominence all their own, and tend to have a price tag that says "prestige". Many of the urushi pens on the market are easily out of most people's reasonable budgets, but apparently that may not need to be the case.

You've likely seen around the pen blog circuit through social media and likely now many full reviews discussing a new Kickstarter campaign by a Japanese pen company called Wancher. What they've set out to create is a more affordable full-ebonite, urushi fountain pen line that fits a bit more in the budget but without sacrificing the experience.

Prior to being approached to review one of their new pens I was unaware of Wancher's existence, but they've been around for over 30 years. Upon looking at their offerings they seem to share some models with a few brands (like the Taccia Timeless), but these new urushi pens seem all their own.

Ebonite? Urushi? What are you talking about? Well, let's talk a little history on both before going too far.

Ebonite: this awesome material has been around for a little while (mid 1800's) and is made by the process of vulcanizing natural rubber and mixing it with some other elements to give it a stiff and workable structure. Although similar in feel to what we might think of as a plastic, ebonite is more durable and has a naturally softer feel.

Urushi: a truly amazing (in my opinion) and very traditional, ancient even, process of applying numerous coats of a natural lacquer to an object to give it a lovely shine, but also protection. A finish like this can take months to complete.

What is so interesting about the use of ebonite is that it is rarely done these days. In the early days of fountain pens it was a commonly used material, but with the invention of various new plastics/acrylics it fell out of preference due to its difficulty to work with in comparison.

An urushi pen has been on my radar to purchase for awhile, but I've never officially pulled the trigger. I've had the pleasure of using some on loan, and it was nice to get a closer look at another model to gather more opinions. Wancher was kind enough to send me their True Urushi fountain pen in Urushi Blue on loan (as these were prototypes) for review.

The first thing that stands out about an ebonite pen like this is the weight. They feel so light in comparison to the bulky metal pens I carry most often and love. I would consider this pen to be on the larger side at around 6" capped, but only weighs in at 0.8oz fully inked with an international long cartridge.

Although it is light and airy, it doesn't feel fragile which is an odd sensation.

The look of the pen is very minimal and monochromatic, but the urushi finish adds a very refined appeal that has a plain sort of beauty to it. It isn't flashy, but it's plainness is what makes it stand out and I like that. All too often pen makers feel a need to add rings, bands, jewels, or other ornamentation that can make it appear more elegant than it really is. Pens like these don't make a fuss and let you decide for yourself.

The color of the urushi finish is a more solid blue as it is what they are referring to as a "true urushi". In different lighting it can transition to a lighter navy, down to a dark blue. I imagine when most people think of urushi pens they see in their mind the pens that have a bit of contrast, almost shading around the edges where the lacquer seems thinner in spots. This is actually a different style of urushi called Tamenuri, which Wancher has also included as an option in their Kickstarter in red (which is very pretty).

That all being said, the true urushi blue is still lovely although not quite as dramatic of vivid as the red version. Depending upon your personality, I'm sure color choice will definitely come into play.

The coating of the pen is polished to a smooth and glossy finish which reflects the light, but isn't quite a mirror-type gloss. Think close to a piano black finish, but blue.

Being so glossy, fingerprints and the oils of your hands are attracted to the pen which can overtime give it a bit of a slick feel which made me want to wipe it down every so often. I traditionally don't have very sweaty hands (to much info?...), but wanted to bring this up as the feel and texture was noticeable over time while writing.

To speak to the quality of the finish, the application is pretty impeccable, namely, there isn't a flaw to be found. There are a few spots on the pen where the urushi stops and the ebonite reappears like on the inner threads of the cap and the treading at the section, but the lines are crisp and perfect. Pretty impressive all done by hand.

The cap does not post which is probably traditional in cigar-style urushi pens like this, but something to consider.

In hand while writing the pen is large, but due to the low weight it isn't cumbersome and is actually extremely comfortable. I notice my grip changed some due to the diameter of the pen. I tend to be a very traditional "triangle" grip writer, but I find my thumb drifting back behind the threads rather than trying to reach down being a bit of a stretch if that makes sense. It did create a shifted writing experience, but for me didn't bother my lettering. I could see this as a potential issue for some though if you run into the same grip situation. 

The prototype was fitted with a gold-plated #6 Jowo steel nib, but in the Kickstarter the True Urushi models come with a 14k or 18k nib which seems to be a requirement. If I were to choose I'd have paired this particular pen with a steel colored (or rhodium plated) nib due to the color. 

Jowo is one of the more trusted nib makers for custom pens and the medium wrote wet and smooth, maybe even a hint on the glassy side.

My opinion of this pen is that I actually really love it. Pens like this are a bit outside of my standard selection, but it makes me want to branch out and have a few like this in my collection. I wouldn't see myself becoming an urushi pen enthusiast, but there is a refinement, almost delicate nature to using one that I don't get from my other writing instruments.

As mentioned above, Wancher set out to create a beautiful urushi pen that was more reasonably priced and I would say they've succeeded in doing so if the fit and finish of the production models are anything like the prototype. These pens come in at around $350-400 US right now on the Kickstarter which is about 30-40% lower than how much you'd pay for other popular urushi pens.

In a way, Wancher is setting out to streamline the urushi pen market a bit by offering a high quality product, but with limited options (at least for now). If there is one potential downside to going with one of these pens it would be that you miss out on the customization process that often comes with getting an urushi pen, but the price difference may be worth the tradeoff.

Special thanks to Wancher for sending the prototype for review.

Baron Fig Lock & Key Limited Edition - Brass Squire Pen and Notebook

Baron Fig has been keeping things pretty fresh each quarter or so with new releases, generally with an interesting theme. All I have to say is that when I first heard about this edition I was immediately smitten by the idea...

The new edition dropped yesterday and is called the Lock & Key, and is a limited edition Squire and Confidant notebook set with a clever, "puzzling" aesthetic.

When Baron Fig reached out last week with an invitation to review, it was certainly an instant "yes" not only due to the good looks of the set, but also due to the fact that they are doing something different this time around with the Squire: Brass.

But, we'll get to that in a minute.

The first thing you notice about the set is the contrasting, and very traditional (even a little vintage) color scheme of the dark green and gold foil. It gives it a somewhat important appearance, even if it isn't anything official in real life, but I think that adds a bit to the initial appeal to this edition. It has a bit of mystery and magic that gets the imagination going which I think they did really, really well.

Something Baron Fig is known for is packaging which can either be good or bad depending on which camp you're in. There is the anti-packaging folks that feel it is unnecessary, while others enjoy the presentation as part of the experience. 

I traditionally tend to sway in the "less is more" category myself, but for an edition like this I would tend to make an exception all things considered.

The Squire rollerball pen comes in a dark green cardboard tube with the profile of the pen printed in a gold foil outline and is called The Key. The top of the tube is also adorned with a gold foil skeleton key logo that plays a role in other areas of the design.

The Confidant is kept in a nicely printed dark green cardboard box that is covered in a debossed gold foil maze and is called The Lock. Also stamped on the center of the box is a large lock logo.

Inside the box you'll find a pamphlet wherein there is a poem about the lock as well as a gold maze leading to it. Surrounding the maze are various symbols... What do they mean? Do they play a part in the riddle?

Underneath you find the green, canvas Confidant that is also debossed with the maze and lock, but this time no gold so it blends in a bit more with the book.

On the inside cover the gold maze is back with the strange symbols littered about and a space to write your name or a small note. The pages are an ivory color and contain a dot grid in a light grey. Gold dots might have been a little much...

I have to say, the entire experience is fun.

Every lock must have it's key and, in this case, the pen is the key that unlocks whatever secrets or mysteries that may be (or end up) inside.

Upon opening the tube where The Key is kept, the brass looks shiny and bright and pairs perfectly with the gold accents throughout. Etched in the side of the barrel is the skeleton key. 

And, what's this? A series of symbols, below where the pen is resting with corresponding letters. Surely used to unlock the mystery?...

I have acquired a few of the Squire pens, all of which are made from aluminum, so the use of brass as the material made me very excited. Changing colors on a pen is one thing, but changing materials is another. Different materials have various weights and properties that can adjust the experience greatly. The aluminum Squires are excellent pens, but I was thrilled to hear that they had branched out. Hopefully more to come like this.

I would consider the Squire to be a moderate to small sized pen. Not really small or "pocket" per se, but not big by any means. By shape it is a sort of teardrop being wider in the grip section, but then gently tapering down in diameter as you move towards the knock.

The pen uses a twist mechanism that extends the popular Schmidt P8126 rollerball refill that has been branded Baron Fig. This refill is popular due to its consistent, dark lines. 

By weight The Key is 1.8oz, moderate for a brass pen (some go as high as 3oz) which is more than double its aluminum counterparts. But, due to its more compact size and what I consider to be comfortable ergonomics it isn't tiring to use.

Being raw brass, this pen will patina and tarnish over time which will take away its bright and shiny appearance, but can be polished back to a shiny glow if needed.

All Squires are clipless by design, so if you require one you're out of luck. 

One last thing that surprised me in seeing the release yesterday was the price. For both The Lock and The Key as a set they are asking $77 with free shipping within the US. Considering their Squire pens (the aluminum ones) are normally $55 and the Confidant is $18, to add a new material that sometimes seems to add a considerable premium over aluminum to the mix this set feels like a good buy to me. And for me the overall experience/aesthetic they created was great.

Special thanks to Baron Fig for providing Lock & Key for review! Visit their site for more details if you are looking to pick this set up.  

3952 Abalone Shell Fountain Pen - Extra Fine Nib

Happy New Year! And, hope all had a wonderful holiday season. Things were busy at The Clicky Post household with family and wrapping up final Dudek Modern Goods orders, but it is good to be back to the desk for more reviews.

Today's review item is one I've been meaning to review for a little while, the Abalone Shell fountain pen by 3952, an unknown company to me until just a few months ago. This pen was kindly provided by Pen Chalet for review, so special thanks to them.

3952 isn't really a new company, on the contrary they've been around since the mid-90s, but haven't really hit the US shores heavily until recently. They are a Taiwanese manufacturer and their name "3952" is for the highest peak in Taiwan, Mount Jade, which comes in at 3,952 meters tall.

I feel as pen enthusiasts we tend to stick to a few bigger brands, and stepping outside of it seems a bit nerve-racking, so I've been really excited to take a closer look at this one in particular.

As mentioned before, the model I'm reviewing is called the Abalone Shell and, as you can probably guess, it receives it's name due to the fact the entire barrel is wrapped in the shiny, iridescent, and unrecognizable material. Upon first seeing it, the pen is quite stunning and makes a strong statement.

The majority of the pens parts are made from metal (likely brass) which gives it an overall heft that is weighty, but not uncomfortable. Overall it comes in at around 1.2 oz which is quite a bit more than your average acrylic...

I would consider the pen to be slender, but not slim being about 1/2 inch in diameter, and completely cylindrical in shape.

In addition to the lovely abalone shell, the cap is etched with a very aquatic pattern which could be seen as waves, seaweed... let your imagination run wild, but it blends nicely with the design. Also, the metal has been given a copper plating color which I feel also accents the theme well.

The overall quality of the pen feels nice. I would probably put my perceptions of quality and overall feel into the realm of that of a Montegrappa Fortuna or similar.  

The clip has a unique curved shape and is spring loaded allowing it to flex away from the cap when storing in a pocket or case.  

On the end of the pen there are threads which allow the cap to be posted, but I find myself not doing so. The pen posted is 7 inches long, with 2.25 inches of that being the cap... a heavy, solid metal cap. So, too much length and too much weight to post comfortably in my opinion.

A somewhat refreshing sight to see under the cap was the use of a Bock nib, this one plated in rose gold. Bock is a trusted nib maker used by many brands around the world and I've had great luck with them.

This particular nib is "stock" meaning it hasn't been rebranded from the Bock logo and name. Some people are weird about this, feel it shows a lack of "identity" for the brand, but I don't really care or agree with that. For companies to get custom nibs from Bock I've heard it is a considerable investment (like 10s of thousands of dollars in investment...), which is hard to recoup and if it adds cost to the end consumer with no real benefit, why do it? Bock is a trusted name and the nib isn't unattractive.

While writing, the Bock nib performs well and stays true to its extra fine (German size) width. I inked the converter (standard international) with Sailor Jentle Miruai, which is a bit of a seaweed color to try a pairing, but I think something more in a turquoise or even purple might be more fun to connect with the shimmer of the shell.

I've had no skipping or slow starts whatsoever with the nib, but it does have a good amount of feedback. You certainly feel the tines on the page, but the lines are clean. A little more feedback than I probably prefer, but still a great writer.

The section is about your average size (maybe even a little small) but wasn't uncomfortable to use.

From a branding standpoint, the 3952 appears in two places on the cap: around the center band (twice) and then laser etched into the clip. Personally, I feel the clip etching is too much and distracts, but the banding is perfect. 

From a presentation standpoint, the 3952 comes in a standard pen cardboard sleeve and a textured, jewelry style cardboard box. Nice, but not fancy really. The 3952 logos aren't stamped into the box or sleeve, but are attached via a sticker. I think the presentation on the pen could be updated a bit but we're in the market for pens, not pen boxes I suppose. It is actually a really well made case that protects the pen, perhaps just not the most striking experience for the brand.

The retail price on the Abalone Shell pen comes in at $185 which is a comfortable price in my opinion. But, that being said, the street price seems to be quite a bit lower. Pen Chalet actually has them right now at around $130 which I find extremely fair.

The 3952 Abalone Shell is certainly a looker and if raden or abalone style pens are on your list (but maybe not in the budget...they are usually spendy), this one might tick some of the boxes you're looking for. 

Special thanks again to Pen Chalet for sending it.